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Written after Hera Lindsay Bird’s ‘The Friday Poem’
O Carrie,
If your touchingly girlish irreverence and compulsive
speculations about love couldn’t save you,
I can’t help but wonder: what hope do the rest of us have?
We who are tottering on the stiletto tips of conditioned
white knight complexes, analysing the equation
of relationships in our 30s too.
Carrie, what an impossible person you were:
sleeping in an underwire bra,
wearing ball gowns inappropriately to places,
buying Vogue instead of food,
somehow never going into debt over all those shoes,
making an actual living as a writer in New York City in the 90s,
being a writer who doesn’t back up her computer (????).
In many ways, I want to let you off the hook
for just being a complex human:
harebrained and unfocussed, allowing space
for flights of fancy and chance encounters,
never self-conscious about your splashy love of beautiful material things,
and keeping your charming blind faith in unwritten possibilities.
The reason for this poem isn’t to condemn you for
mistaking volatile chemistry for genuine compatibility… over and over and over.
Neither is it to say I don’t believe you were satisfied being married to Big (eventually).
It’s just that I don’t think it’s rational.
Because at some point, we’ve all had to find a way
to stop forcing things that were simply wrong for us.
Carrie, I just kind of wish you’d known when to say when
and noticed you were stepping on the small wise part of yourself
that never made you earn its love.
Moving through this singular life, one will encounter a spectacular number of concerns:
The flimsy architecture of existence. Incomprehensibly beautiful things streaming in and out of sight. The anticipation of suffering and the irrepressible urge that follows to build monuments of devotion on plates that are already on the edge of movement.
But there’s a cost for this abstraction.
With no warning, the Earth breaks apart and slides sideways down slopes. One loses grip on oneself, loses grip on histories.
Fortunately, one just needs to stand at a little distance back from the mountain of life to see that only three things matter:
First is the stretch of flat wet sand between where the body stands and the expanding sea. Here on the edge of everything, the tide rises and falls but never runs out.
Standing quite still, an awareness of distance reveals itself, then comes a noticeable sweeping out of self-concern.
Next, start walking. Count the exact number of belly breaths it takes to fill the spit lengthways. Fall into step with knowing that an endless chain of moments to begin again is available. This is the perfect continuity one seeks.
On this beach, troubles deflate on the sand like clear dried-out bodies of blue bottles. Solitude brings forth a greater intimacy than once imagined; the realisation that one is never alone in the company of one’s own vastness.
Way out there, the waterline is a tidy underscore for a wide open sky, which hovers like a gargantuan breath waiting to be taken.
The third thing, then, is to look beneath for the invisible current sweeping back and forth with possibilities.
Those silent undercurrents that encourage waterborne souls, shell shards, small stones and sparks of sand to shift and regather; forming and reforming.
Know that all the earthborn are invited to rest their feet here in the tides of change too.
Beneath the water, the ghosts of shipwrecks sleep on the floor. Whole ecosystems are excavated for the plate. Crabs hermit inside bottle caps. Yes, human self-destruction brings unfathomable grief to many.
But the sea is a powerful force for regeneration. When left to heal, rough edges are smoothed imperceptibly by slow waters and new life forms.
Know that the technique outlined here is by no means confined to the sea.
There’s no better method to arrive at one’s eventual safekeeping than to become friends with depthless bodies of water. To peer out at the great expanse and bear witness to where one is in this moment.
Light streams forth into shallow water, reflecting back one's own immutable power. And here, the rest of life is revealed.
copyright amelia theodorakis (november 2022)
She seats herself on the floor, crossed-legged on a cushion, between a drummer with a gently shaved head and another young man holding kartal hand-cymbals in his lap. A net of fairy lights surrounds them. The room is warm and dim, and we are all in socks. When she lifts the first notes from her harmonium, the room falls still. When she begins to sing, the air glimmers and thickens. Tasmai Shri Gurave Namah. The drum and cymbals bloom, then on her instruction, the rest of us raise our weaker voices to be with hers. I feel mine in my body, the strange words moving through my chest into the space. The whole room palpitates and I’m thrumming from some un-located place inside me. I notice some discomfort at hearing my own voice too closely in my ears, but I find that I can let that go by focussing on the better-feeling sound outside myself. Afterwards, a meal that she prepared is passed around on paper plates and we share it seated on the floor, talking together. I drive home in the dark, clear-eyed, feeling like something that went missing under the bed has been recovered.
copyright amelia theodorakis (july 2022)
I know that whatever was happening in front of me
was happening in front of me, slowly then all at once
at the removal of light the clock winds its way back to the moon
look at the way the light bends
without ever turning back suddenly, the sky is ferocious.
copyright amelia theodorakis (june 2022)
Waiting for my cat to come home each night,
hearing his faint voice behind the door
reminds me how exquisite it feels
to be person someone comes home to.
Some people never learn how to admire the cat’s natural self-reliance.
But when you understand that a choice could be made
between coming home and not coming home
the action of coming home start feel like an affirmation.
I hold the door and in he slips,
his striking white socks, the whole day on his back.
Hello, I say, take a load off.
He says meow to me, which is his way.
At his food bowl he looks up at me with resonant optimism.
I oblige. Of course, I oblige.
copyright amelia theodorakis (may 2022)
© 2023 amelia theodorakis all rights reserved
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